The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real

Front Matter....Pages i-xvi
General Introduction: In the After-event of the Virtual....Pages 1-8
Front Matter....Pages 9-9
Into the Body of Another: Strange Couplings and Unnatural Alliances of Harlequin Coat....Pages 17-33
The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier....Pages 34-52
The Flicker at the Threshold of Societies of Control....Pages 53-68
The Right to be Forgotten and the Image-Crimes of Digital Culture....Pages 69-81
Materiality, Immateriality and the Dancing Body: The Challenge of the Inter in the Preservation of Intangible Cultural Heritage....Pages 82-98
Performing (the Subject of) Exteriority: Virtuality, Mimesis and the Gratuitous ‘One Must’....Pages 99-116
Front Matter....Pages 117-117
Not Waving but Drowning: The Affect of Random Programming on the Creation of a Digital Performance Work....Pages 125-139
BrainExplode! Audiences and Agency through the Appropriation of Video-game Structures....Pages 140-155
Relational Works-in-Movement Using the Body Response System....Pages 156-173
Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice....Pages 174-186
Jeanette Doyle: Fifteen Days and Factory Direct at the Andy Warhol Museum: The Relationship between the ‘Immaterial’, ‘Dematerial’ and ‘Material’ in Contemporary Art Practice....Pages 187-201
Inscribing Work and Process: The Ontological Implications of Virtual Scoring Practices for Dance....Pages 202-219
Traces and Artefacts of Physical Intelligence....Pages 220-231
Back Matter....Pages 232-242