Henry James

Front Matter....Pages 1-45
The Altar of Henry James (1943)....Pages 46-51
Henry James: The Poetics of Empiricism (1951)....Pages 52-70
The Turned Back of Henry James(1954)....Pages 71-88
Visual Art Devices and Parallels in the Fiction of Henry James (1961)....Pages 89-115
Points of Departure from The American (1967)....Pages 116-127
The Europeans and the Structure of Comedy (1964)....Pages 128-142
The Fearful Self Henry James’s The Portrait of a Lady (1965)....Pages 143-159
Pragmatic Realism in The Bostonians (1962)....Pages 160-165
Henry James at the Grecian Urn (1951)....Pages 166-183
The Princess Casamassima: Hyacinth’s Fallible Consciousness (1963)....Pages 184-193
James’s The Tragic Muse — Ave Atque Vale (1958)....Pages 194-203
The Subjective Adventure of Fleda Vetch (1964)....Pages 204-221
What Maisie Knew: the Evolution of a ‘Moral Sense’ (1961)....Pages 222-235
‘Wonder’ and ‘Beauty’ in The Awkward Age (1958)....Pages 236-244
The Romantic and the Real: Henry James’s The Sacred Fount(1965)....Pages 245-265
The Abyss and The Wings of the Dove: the Image as a Revelation (1956)....Pages 266-282
The First Paragraph of The Ambassadors: an explication (1960)....Pages 283-303
Metaphor in the Plot of The Ambassadors (1951)....Pages 304-315
Maggie Verver: Neither Saint Nor Witch (1957)....Pages 316-326
Magic and Metamorphosis in The Golden Bowl (1965)....Pages 327-339
Back Matter....Pages 341-351